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"After
spending the first four years of his life in Sydney, Australia,
Gil Bruvel and his family moved to the quaint village of Istres
in the South of France. Here his parents, both accomplished pianists,
nurtured the creative spark they recognized in their youngest
son by providing formal drawing instruction at the age of nine.
By the age of twelve he had produce his first oil painting and
had manifested a growing obsession with what was to become his
life's passion-the world of art.
In
the classical tradition, at the age of fourteen, Bruvel began
a rigorous apprenticeship at a restoration workshop. Under the
instructor's close
supervision and guidance, Bruvel labored diligently to learn a
wide spectrum of techniques and styles spanning the
15th through the 20th century. At the same time, he absorbed
the history, architecture, culture, and literature of these times
in order to restore great works of art. Through the training he
received he developed the ability to produce traditional portraits,
landscapes, still life’s, and nude studies.
In
spite of exhausting hours of restoration and study, the budding
artist managed to find time to develop his own imaginative painting
style. At the age of sixteen, his first highly successful exhibit
was staged at the Musee des Baux-de-Provenance in France.
Shortly thereafter, seeking to broaden his creative foundation,
Bruvel immersed himself more deeply into his imagination, spending
time studying cosmogony, mythology, astronomy, and ancient Sanskrit.
Over
the next few years he continued to experiment with his art, strengthening
his imagery and developing a creative vision that stretched objects
beyond the boundaries of their natural form.
What
evolved was a distinctive style, a style that he prefers
to call 'visionary," reflecting a clear conscious state
of mind, as opposed to "surrealistic," reflecting dream
states.
Since
his first solo exhibition in 1976, Bruvel has exhibited with overwhelming
success throughout Western Europe, Japan, Singapore, Hungary,
and the United States.
Today
the artist is reaching out to a broader spectrum of society, sharing
with the public his artistic concept and imperative to observe
nature and probe beyond its apparent reality. " |